Archive | August, 2017

Narrow Escapes

22 Aug

When we were kids, my brother owned a copy of The Book of Narrow Escapes. Aimed at children, it was full of stories about people who survived experiences like falling out of planes (as you do), or getting lost in the Amazon: always follow a river downstream to civilization was the advice, though how a child – or this adult – knows the difference between upstream and downstream escapes me, and not narrowly, either.  Come to think of it, I’m not sure that book, full of horror stories along the lines of Alive! was suitable reading for kids.  Unless I’m thinking like a be-fair-everyone-has-to-come-first-and-be-safe millennial.  Or a mum.

This morning, I was humming the tune to the seventies’ show Black Beauty because of a Facebook meme I’d seen, and that got me thinking that I read Black Beauty as a child and found it tedious, but loved The Book of Narrow Escapes – me, who never took a risk in her life unless it involved eating my weight in chocolate and thus the possibility of an obese, diabetic future.

As I was on the loo while all of this thinking was happening, that naturally reminded me of my own narrow escape, about twenty years ago: I went to the loo one day, finished, stood, turned around, and there were two wasps, flying around the neck of the bowl!  Talk about a squeaky bum moment.  To this day, I can’t sit on the loo without first inspecting it.  Thoroughly.  So if I visit your house and you catch me at it 1) I’m looking for stinging insects, not dirt and 2) why are you in the bathroom with me?

Do you have your own squeaky bum moment to share?

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Men Are From Mars; Women Are From Who Cares?

14 Aug

Picture the scene: a new box of cereal, too tall for the cereal shelf.

Solution: reduce the size of the box.

Here is the Hub’s handiwork:

           Crunchy Neat

Here is mine:

            Rice Tearmies

Where do you stand on the Seriously?  It’s just cereal! debate?

Fringe Benefits

8 Aug

Alex is at the Edinburgh Fringe this month in two shows, both of which have been shortlisted for the National Student Drama Festival’s Emerging Artists Award 2017 .  That’s twenty shows of over three thousand appearing this year.

I’ve seen both shows and they’re fantastic (there’s a reason they were nominated).  One is hilarious with music and the other is a musical with hilarity.

The music is great in both.  You can check out some of The Iconoclast songs on SoundCloud.  Sadly, there’s no link to Buried‘s music (yet), but I’ll share three of six from The Iconoclasts.

For me, this is the best song in the show: Estelle’s Song.

 BURIED

An exhilarating and witty look at love and the places it can take you. He’s a shy, seemingly-average young professional. She’s a sarcastic thrill-seeker. After matching on an online dating service, this young and fun-loving couple form a unique relationship when they discover something special that they have in common: they’re both serial killers. Tom Williams and Cordelia O’Driscoll’s dark, new piece of comedic musical theatre puts a sinister spin on relationships in the twenty-first century. Colla Voce Theatre make their Edinburgh debut with a bold new musical.

You can buy tickets for Buried here.  

britishtheatre.com describes the show as:

perversely charming and entertaining, full of dark humour and some killer songs..the music is richly melodic and soulful…book and lyrics are sharp and often funny.

THE ICONOCLASTS

The Iconoclasts tells the story of an exuberant family façade that is just about ready to crack. Music, magic, poetry, drag and comedy meet in an explosive night of would-be redemption for the former celebs, but the cabaret-style comeback night just goes further and further off course. Half-farce, half-tragedy, the Northern Irish family’s plight leads the audience through their chequered history with poignancy, humility and irreverence – all backed by a live funk band. If they’re going down, they’re going down swinging! ‘Beautifully played’ (Sunday Times).

Tickets for The Iconoclasts available here.

Listen to Alex’s solo: Razzmatazz

The Iconoclasts has been forecast by Fringebiscuit as one to watch:

They had me after four words. Part tragic theatre, part comedy cabaret night, emerging company Dear Hunter Theatre have basically put everything I love into one show. This could be a huge hit.

Their first review from Broadway Baby gave them four stars; here’s the opening paragraph:

The Iconoclasts is a perfect example of why one should never go into a show with any expectations. Based on the poster and description which I had only briefly skimmed, I was expecting a run-of-the-mill artsy cabaret show, with a bit of overdone backstory thrown in. What I got was a unique, political and thought-provoking piece of theatre, which worked on so many levels it is still making my head spin to think about.

The show’s closing number: Finale.

If you’re in Edinburgh this month, do yourself a favour and go and see both of these shows.  You won’t regret it.  

 

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