Alex is at the Edinburgh Fringe this month in two shows, both of which have been shortlisted for the National Student Drama Festival’s Emerging Artists Award 2017 . That’s twenty shows of over three thousand appearing this year.
I’ve seen both shows and they’re fantastic (there’s a reason they were nominated). One is hilarious with music and the other is a musical with hilarity.
The music is great in both. You can check out some of The Iconoclast songs on SoundCloud. Sadly, there’s no link to Buried‘s music (yet), but I’ll share three of six from The Iconoclasts.
For me, this is the best song in the show: Estelle’s Song.
BURIED
An exhilarating and witty look at love and the places it can take you. He’s a shy, seemingly-average young professional. She’s a sarcastic thrill-seeker. After matching on an online dating service, this young and fun-loving couple form a unique relationship when they discover something special that they have in common: they’re both serial killers. Tom Williams and Cordelia O’Driscoll’s dark, new piece of comedic musical theatre puts a sinister spin on relationships in the twenty-first century. Colla Voce Theatre make their Edinburgh debut with a bold new musical.
You can buy tickets for Buried here.
britishtheatre.com describes the show as:
perversely charming and entertaining, full of dark humour and some killer songs..the music is richly melodic and soulful…book and lyrics are sharp and often funny.
THE ICONOCLASTS
The Iconoclasts tells the story of an exuberant family façade that is just about ready to crack. Music, magic, poetry, drag and comedy meet in an explosive night of would-be redemption for the former celebs, but the cabaret-style comeback night just goes further and further off course. Half-farce, half-tragedy, the Northern Irish family’s plight leads the audience through their chequered history with poignancy, humility and irreverence – all backed by a live funk band. If they’re going down, they’re going down swinging! ‘Beautifully played’ (Sunday Times).
Tickets for The Iconoclasts available here.
Listen to Alex’s solo: Razzmatazz
The Iconoclasts has been forecast by Fringebiscuit as one to watch:
They had me after four words. Part tragic theatre, part comedy cabaret night, emerging company Dear Hunter Theatre have basically put everything I love into one show. This could be a huge hit.
Their first review from Broadway Baby gave them four stars; here’s the opening paragraph:
The Iconoclasts is a perfect example of why one should never go into a show with any expectations. Based on the poster and description which I had only briefly skimmed, I was expecting a run-of-the-mill artsy cabaret show, with a bit of overdone backstory thrown in. What I got was a unique, political and thought-provoking piece of theatre, which worked on so many levels it is still making my head spin to think about.
The show’s closing number: Finale.
If you’re in Edinburgh this month, do yourself a favour and go and see both of these shows. You won’t regret it.
The Laughing Housewife 
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